102当代艺术空间:「不一样的角度」苏志彻创作个展

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图辑报导102当代艺术空间:「不一样的角度」苏志彻创作个展

2018-11-08|记者:王玉善

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    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 2/23

    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 3/23

    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 4/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 5/23

    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 6/23

    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 7/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 8/23

    苏志彻作品,沉睡系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 9/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 10/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 11/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 12/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 13/23

    苏志彻作品,无言系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 14/23

    苏志彻作品,无言系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 15/23

    苏志彻作品,无言系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 16/23

    苏志彻作品,无言系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 17/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 18/23

    展览空间照。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 19/23

    苏志彻作品,乡土系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 20/23

    苏志彻作品,乡土系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 21/23

    苏志彻作品,乡土系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 22/23

    苏志彻作品,乡土系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展 23/23

    苏志彻作品,乡土系列。(记者 王玉善/编辑)

    102当代艺术空间:「不一样的角度」苏志彻创作个展

      《不一样的角度》|苏志彻创作个展
      From Different Perspectives: Solo Exhibition by SU Zhi-Che

      开幕|2018/09/15 SAT 15:00
      座谈|2018/09/29 SAT 15:00
      展期|2018/09/14 - 11/04
      地点|102当代艺术空间|台南市仁德区成功三街102号
      时间|TUE- SUN 11:00 - 18:00 (MON off)
      官网|http://www.102art.com.tw/
      Facebook|/102arts/
      Instagram|/102_art/

        ABOUT EXHIBITION|

        102当代艺术空间此次特别邀请到南部资深艺术家苏志彻举办个展,这是他睽违十三年后再度于台南展出。苏志彻自国立艺专美术科(现国立台湾艺术大学)毕业后四十多年来,与妻子林丽华贤伉俪长期深耕于高雄画坛,创立午马画会、协创高雄市现代画学会、曾为《艺术界》及《南方艺术》杂誌编辑委员,高雄市立美术馆筹备研究员及驳二艺术特区发起人之一。

        苏志彻自学生时代开始热衷于超现实主义,不论是他于英国伦敦大学就读研究所时期诠释的「空间的转换」,或是返台后投入创作「出入之间」系列的作品,皆对空间环境表达关切与质疑,并寻找现实与幻想之间的关联。

        此次个展《不一样的角度》延续了之前系列作品的创作理念。每个人都有自己习惯的观看角度,但是观看一旦成为一种习惯之后,在观看时极易失去专注力,无法留下观后记忆,形成所谓的「有看没有到」。观看的行为本身也将不再有趣迷人,而观看的结果也更难转换成视觉艺术。绘画为视觉艺术的灵魂,希冀能透过绘画作品呈现艺术家的观看心得与创作灵魂,以打破大众受限的观看角度及视觉习惯。

        102 Art is honored to invite Su Zhi-Che, the experienced artist from the South Taiwan to host his personal art exhibition in Tainan for the first time in 13 years. Su Zhi-Che was graduated in College of the Fine Art at National Taiwan University of Art. He has been dedicating to passion and work of art with his wife Lin Li-Hua in Kaohsiung for 40 years since he graduated. They established many well-known organizations for art , such as Wu-Ma Group and Modern Art Association of Kaohsiung, while being the founder of these art organizations, they were also the major editors of the National Taiwan art magazine “The Art World” and “Hot Art”, and the major researchers of Kaohsiung Museum of Fine Arts and The Pier-2 Art Center.

        Su Zhi-Che has been addicted to surrealism since he was a student. Regardless to the subject “abstraction of the space” which he drew during his time at the London University of the Great Britain, or the series of the work he was making concerning the space of art dimension between reality and fantasy. He holds a great care, passion and doubt toward any topic which related to space and environment, and seeks for the connection between the reality and the fantasy.

        In his personal exhibition “From different perspectives” this time, it contains the original artistic idea and perspectives from his previous exhibition. They explained that every person on the earth has their own behavior and the way which they see the world. However, he also defined that just how easily people lose concentration toward the details when viewing and seeing the things around them becomes a habit. Also people are incapable of recording the memory of what they saw afterward. Even if they can, the memory can be quite vague. In other words, they see the things around them, but they are unable of memorizing the details as their eyes are on the subject but their hearts are not. In regards of such a matter, watching and viewing a piece of art work are no longer intriguing but meaningless. The result toward that is that people is losing the sense of appreciating any art work as an “ART”. Su Zhi-Che claims that the visuality is considered the soul part of any art work, and it is also to be the main channel which an artist can truly to express his or her heart and personal philosophy from. He wishes to change the way of how people see and appreciate the art by showing the soul and heart of an artist through painting.

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